Two-Mic Recorder
Not set up

1Microphones

Plug both mics into USB ports, then allow microphone access. Nothing leaves your computer: recordings stay in this browser until you save them.

2Sync test recommended once

Records both mics for a short time and measures how far their clocks drift apart. You only need to do this once per setup.

Both mics need to hear the same sound, so use speakers, not headphones. If the clicks are too quiet, choose “I'll talk or clap” and talk midway between the mics.

3Record

00:00:00
AHost
BGuest

Activity

5Podcast polish optional

One click turns the synced recordings into podcast-ready audio. Untick anything you don't want. The unpolished files stay available in Downloads either way.

  1. Filters out deep sounds below 80 Hz that voices don't need: traffic, air-conditioning hum, desk and mic-stand bumps.

  2. Finds very short clicks (mouth noises, cable crackle, digital ticks) and smooths over them. Anything longer than 1.5 ms, like a “p” or “t”, is left alone.

  3. Learns what the room sounds like from the quietest moments (hiss, fans, fridge hum), then turns that sound down by up to 12 dB while keeping the voices.

  4. Each mic also picks up the other person slightly late, which sounds echoey. Each mic is turned down by 10 dB while its own person isn't talking, and opens again just before they speak.

  5. Turns down piercing high frequencies (above 6 kHz) only at the moments they spike, known as de-essing.

  6. A slow leveller (up to ±6 dB) brings a voice back up when someone leans away from the mic, and a gentle 3:1 compressor keeps loud moments in check.

  7. Cuts dead air before the first word and after the last, leaving a short lead-in, and fades in and out.

  8. Any gap over 1.5 s where nobody speaks is shortened to 0.8 s. Both mics are cut at exactly the same points, so they stay in sync.

  9. Brings both voices to the same loudness and sets every file to . A true-peak limiter keeps peaks at or below −1 dBTP, so it won't distort on any player. Always on.

Make a recording first. Polishing works on the synced files.

Downloads

These buttons switch on once a recording has been made into files.

Each mic on its own

Both mics in one file

Stereo puts Mic A on the left and Mic B on the right, so you can still adjust each one in an editor. Mono mix blends both into one channel, turned down slightly only if the two together would clip.

Extras